Rihanna’s “Rude Boy”
The pandemic has generated bizarre physiological responses to the stress we’ve all been experiencing, including a rise in clumsiness. It turns out, constant anxiety affects...
Philip Glass’ “Glassworks”
One Friday, in the early summer of 2018, I donned my prettiest dress, threw on a cream plum lipstick, and walked to the subway to...
A Tale of Two Covers: “Lilac Wine”
The list of artists who have covered “Lilac Wine” is long—and ongoing—but there are two who stand apart: Nina Simone and Jeff Buckley. Their versions,...
Celine Dion’s “It’s All Coming Back to Me Now”
Shortly before starting grade six, which Americans wrongly call “sixth grade,” I moved to my grandmother’s house in Toronto. My family shifted around a lot...
All Hail King Stitt
When I first started collecting vinyl, I was exceptionally—almost stupidly—lucky. I dug up randos, took a chance, and ended up procuring LPs that would go...
Kacey Musgraves’ “It Is What It Is”
Sometimes I wonder if my subconscious senses endings before I do and uses lyrics to communicate as much. Years ago, I wrote about mondegreens, or...
Flock of Dimes’ “Two”
For anyone who has purposely cultivated their independence, especially in order to create in some way, shape or form, it can feel tenuous to want...
Maps & Atlases’ ‘Beware and Be Grateful’
Winter inevitably calls up a craving for the Chicago-based indie/math rock band Maps & Atlases and their 2015 album Beware and Be Grateful, despite the fact...
Weyes Blood’s “Andromeda”
I’ve hinted at, but haven’t talked enough about, timing in music. No, not rhythm. I mean the providence of finding a song (or a song...
Ramblin’ Women
What is it about staying that feels so intimidating? Put another way, what is it about leaving that feels so instinctive? Compared to most people...