Movement & Location

People move for all kinds of reasons—a job, a relationship, to be closer to family. Sometimes it’s just a matter of changing scenery or finally...

Jesca Hoop’s “Pegasi”

I’ve seen singer-songwriter Jesca Hoop twice in concert, and both times she’s brought me to tears. Some sorcerous combination of her lyricism and voice—a dusky...

The Ephemerality of Streaming

This is going to sound like a daft thing to complain about considering the endless amount of music that now exists at our fingertips, but...

On Cringeworthy Listening Histories

I often succumb to the obstructive instinct of curation. It’s one of my fatal flaws, and it’s only gotten worse with social media and the...

Long Walks with Waxahatchee

At the start of the pandemic, somewhere around mid-March, I started taking long walks after work. With routines not just interrupted but in complete tatters,...

Field Report’s “Michelle”

Don’t you love it when you go to see one band and end up finding another? That’s been my luck more than a few times,...

NNAMDÏ’s ‘Brat’

As genre slowly dissolves into the ether thanks to people’s increasingly omnivorous listening habits—fueled largely by the cross-current of streaming—music has come to sound a...

Rihanna’s “Rude Boy”

The pandemic has generated bizarre physiological responses to the stress we’ve all been experiencing, including a rise in clumsiness. It turns out, constant anxiety affects...

Philip Glass’ “Glassworks”

One Friday, in the early summer of 2018, I donned my prettiest dress, threw on a cream plum lipstick, and walked to the subway to...