The Lineage Sound
I grew up moving around. Following my dad’s TV news career, we’d pick up and shift to a new city if not every year then...
Rilo Kiley’s “Silver Lining”
The more I come to understand confidence, the more I see it stemming from a lovely internal stillness. If lakes existed somewhere in the core...
Colter Wall’s Cover of “Evangelina”
For me, it’s the way it starts. No, I don’t mean the sentimental sashay of an intro, with acoustic guitar and harmonica refracting like heat...
Andy Shauf’s “Halloween Store”
Some songs explode on stage. In the lead-up to seeing Andy Shauf perform at Toronto’s historic Massey Hall, I’d been spending time with his discography, including...
The Durutti Column’s “Otis”
“Otis” begins, as some of the best songs do, unexpectedly. A guitar string reverberates ever so briefly, first plucked and then bent, echoing forth a...
A Bouquet of Songs
I’ve been thinking lately about music as a conversation. For me, that tends to take place internally. When I listen to music by myself, it...
Getting Ready with H.E.R. and SZA
Does getting-ready music define the mood or does the mood define getting-ready music? Either way, it undeniably lays the foundation for the night. In college,...
Bill Callahan’s “Riding for the Feeling”
I’ve done a lot of leaving as an adult. The poetic call it nomadic, the nihilistic call it lost, and I’ve been known to call...
Julie Byrne’s “Melting Grid”
When I first moved back to New York in the early, wintry days of 2018, I was nearly a year into working nights for Pitchfork....
Nilüfer Yanya’s Steely Mask
I’ve been retreating since the start of the new year. Part of it comes down to logistics (I’m moving to another country in just a...